Programme - Deepdale Festival

Wildwood Kin

Sunday - Brick Barn

The first thing that strikes you about the second album by Wildwood Kin, self-titled because it captures the band's artistic vision so completely, is just how natural it sounds. The voices of three young women harmonise effortlessly, there are shades of Simon & Garfunkel, Rumours-era Fleetwood Mac and the churchy cadences of the first Fleet Foxes album in the beautifully gentle folk rock melodies, and lyrics address profound themes like love, loss and spirituality in an unforced fashion. But above all, there is a spirit to the record that is as wild and free as the West Country moors Emillie Key, her younger sister Beth, and their cousin Meghann Loney grew up on.

'Both of our mums play instruments and sing, someone was always on the piano, and we spent childhood car journeys harmonising on the back seat,' says 24-year-old guitarist Emillie on how this family group, who emerged from Devon to have a surprise hit in 2017 with debut album Turning Tides, found their sound. 'There was a lot of Cat Stevens, Joni Mitchell, Tracey Chapman and Stevie Wonder in the house. It was a very musical family.'

It was also a forward-thinking, spiritually open family; something reflected in the mysterious quality of the album's epic opener Headed For The Water. 'We're not a Christian band, but that background does inform us,' says Meghan, 25, Wildwood Kin's drummer and the most outspoken of the three. 'Our first performances were in church settings, and I'm not sure if we would have had the confidence to get up in pubs and clubs if we hadn't started in that safe family environment where everybody is nice to you.' Beth, the quietest and youngest at 22, who plays bouzouki, adds: 'We want to give an uplifting message and make a space for positivity and peace. Music is a healing thing, after all.'